![[PukiWiki]](image/pukiwiki.png "[PukiWiki]")
#author("2025-03-25T00:49:21+09:00","","") #author("2025-03-25T00:49:32+09:00","","") [[eLearning/Music]] *楽譜（ラテン語） [#v7def90f] **写本 [#gba2c9ee] :Reg. lat. 1703|[[DVL:https://digi.vatlib.it/view/MSS_Reg.lat.1703]] :Reg. lat. 1672|[[DVL:https://digi.vatlib.it/view/MSS_Reg.lat.1672]] :Reg. lat. 21|[[DVL:https://digi.vatlib.it/view/MSS_Reg.lat.21]] :Paris 8214|[[Gallica:https://gallica.bnf.fr/ark:/12148/btv1b10542086z.r=8214?rk=64378;0]]| :Paris 9345|[[Gallica:https://gallica.bnf.fr/ark:/12148/btv1b10542211k]] :Paris 7900|[[Gallica:https://gallica.bnf.fr/ark:/12148/btv1b8438676k.r=7900%20a-ii?rk=21459;2]] :Paris 7972|[[Gallica:https://gallica.bnf.fr/ark:/12148/btv1b52523934f]] :Paris, Bibliotheèque nationale de France, Latin 7979|[[Gallica:https://gallica.bnf.fr/ark:/12148/btv1b9066483g]] :Paris, Bibliotheèque nationale de France, Latin 7976 (fol. 2v etc.)|[[Gallica:https://gallica.bnf.fr/ark:/12148/btv1b10035824z]]: ボエーティウス式記譜法（Notae Boethianae） :Paris 8214|[[Gallica:https://gallica.bnf.fr/ark:/12148/btv1b9066798z/f2.item.r=8214.zoom]] :Paris, Bibliotheèque nationale de France, Latin 17897 (fol. 29v etc.)|[[Gallica:https://gallica.bnf.fr/ark:/12148/btv1b10546163j]]: a–p記譜法（a–p Notation） :Bonn S184 & S476|[[URL:https://handschriftenportal.de/search?hspobjectid=HSP-8b3edc5b-95cd-37fa-a7fb-e8da03e78450&q=s476+zz&hl=true]] **古いネウマ譜 [#hd5351aa] -https://note.com/henya/n/ncf1f1074f337 -https://www.senzoku-online.jp/history/museum/01middle01/02.html -https://www.sakainobuaki.net/2021/08/15/%E3%83%8D%E3%82%A6%E3%83%9E%E8%AD%9C%E3%81%AE%E8%AA%AD%E3%81%BF%E6%96%B9/ -https://rearpond.mystrikingly.com/blog/8ac9ef94d30 -https://deutsch.c.u-tokyo.ac.jp/~Gottschewski/history/uu13/131016/20131016.htm **a–p記譜法 [#w013e94d] -Alma Colk Browne, ‘The a-p System of Letter Notation’, '''Musica Disciplina''', 35 (1981), 5–54. -Alma Colk Browne, ''Letter Notations in the Middle Ages''' (Ottawa: Institute of Mediaeval Music, 1989). -Alma Colk Browne, '''Letter Notations in the Middle Ages''' (Ottawa: Institute of Mediaeval Music, 1989). -Solange Corbin, « Valeur et sens de la notation alphabetique a Jumièges et en Normandie », in: '''Jumièges: Congrès scientifique du XIIIe centenaire''', ii (Rouen: Lecerf, 1955), 913–924. **参考文献 [#lfc56bf2] -Barrett, S(am), '''The Melodic Tradition of Boethius’ “De consolatione philosophiae” in the Middle Ages''', Monumenta monodica medii aevi. Subsidia 7 (Kassel: Bärenreiter, 2013). [[Bärenreiter:https://www.baerenreiter.com/shop/produkt/details/BA5727/]] -——— ‘Music as Gloss in Newly Discovered Notations for Horace’s Odes’, '''Musical Quarterly''', 104 (2021), 341–369. https://doi.org/10.1093/musqtl/gdab020 -Reynolds, S(uzanne), '''Medieval Reading: Grammar, Rhetoric and the Classical Text''' (Cambridge: Cambridge University Press, 1996). (Part 2: ‘Reading Practice’) -Treitler, L(eo), '''With Voice and Pen: Coming to Know Medieval Song and How it was Made''' (Oxford: Oxford University Press, 2003). (Chapter 13) -Ziolkowski, J(an) M., ‘Nota Bene: Why the Classics Were Neumed in the Middle Ages’, '''Journal of Medieval Latin''', 10 (2000), 74–114. -———'''Nota Bene: Reading Classics and Writing Melodies in the Early Middle Ages''', Publications of the Journal of Medieval Latin (Turnhout: Brepos, 2007). [[amazon:https://www.amazon.co.jp/dp/2503525342]] -Wälli, S(ilvia), '''Melodien aus mittelalterlichen Horaz-Handschriften, Edition und Interpretation der Quellen''', Monumenta monodica medii aevi. Subsidia 3 (Kassel: Bärenreiter, 2002). [[Bärenreiter:https://www.baerenreiter.com/shop/produkt/details/BA5723/]]
