eLearning/Music/Score/Latin の履歴(No.2) - 松浦高志のWikiページ

楽譜（ラテン語）†

Reg. lat. 1703: DVL
Reg. lat. 1672: DVL
Reg. lat. 21: DVL
Paris 8214: Gallica|
Paris 9345: Gallica
Paris 7900: Gallica
Paris 7972: Gallica
Paris, Bibliotheèque nationale de France, Latin 7979: Gallica
Paris, Bibliotheèque nationale de France, Latin 7976 (fol. 2v etc.): Gallica: ボエーティウス式記譜法（Notae Boethianae）
Paris 8214: Gallica
Paris, Bibliotheèque nationale de France, Latin 17897 (fol. 29v etc.): Gallica: a–p記譜法（a–p Notation）
Bonn S184 & S476: URL

Barrett, S(am), The Melodic Tradition of Boethius’ “De consolatione philosophiae” in the Middle Ages, Monumenta monodica medii aevi. Subsidia 7 (Kassel: Bärenreiter, 2013). Bärenreiter
——— ‘Music as Gloss in Newly Discovered Notations for Horace’s Odes’, Musical Quarterly, 104 (2021), 341–369. https://doi.org/10.1093/musqtl/gdab020
Reynolds, S(uzanne), Medieval Reading: Grammar, Rhetoric and the Classical Text (Cambridge: Cambridge University Press, 1996). (Part 2: ‘Reading Practice’)
Treitler, L(eo), With Voice and Pen: Coming to Know Medieval Song and How it was Made (Oxford: Oxford University Press, 2003). (Chapter 13)
Ziolkowski, J(an) M., ‘Nota Bene: Why the Classics Were Neumed in the Middle Ages’, Journal of Medieval Latin, 10 (2000), 74–114.
———Nota Bene: Reading Classics and Writing Melodies in the Early Middle Ages, Publications of the Journal of Medieval Latin (Turnhout: Brepos, 2007). amazon
Wälli, S(ilvia), Melodien aus mittelalterlichen Horaz-Handschriften, Edition und Interpretation der Quellen, Monumenta monodica medii aevi. Subsidia 3 (Kassel: Bärenreiter, 2002). Bärenreiter