eLearning/Music/Score/Latin の履歴(No.1)

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  • 1 (2025-03-11 (火) 09:22:58)
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eLearning/Music

楽譜（ラテン語）†

写本†

ボエーティウス式記譜法（Notae Boethianae）

Parisiensis Latinus 17897 (fol. 29v etc.)

a–p記譜法（a–p Notation）

古いネウマ譜†

• https://note.com/henya/n/ncf1f1074f337
• https://www.senzoku-online.jp/history/museum/01middle01/02.html
• https://www.sakainobuaki.net/2021/08/15/%E3%83%8D%E3%82%A6%E3%83%9E%E8%AD%9C%E3%81%AE%E8%AA%AD%E3%81%BF%E6%96%B9/
• https://rearpond.mystrikingly.com/blog/8ac9ef94d30
• https://deutsch.c.u-tokyo.ac.jp/~Gottschewski/history/uu13/131016/20131016.htm

参考文献†

• Barrett, S(am), The Melodic Tradition of Boethius’ “De consolatione philosophiae” in the Middle Ages, Monumenta monodica medii aevi. Subsidia 7 (Kassel: Bärenreiter, 2013). Bärenreiter
• ——— ‘Music as Gloss in Newly Discovered Notations for Horace’s Odes’, Musical Quarterly, 104 (2021), 341–369. https://doi.org/10.1093/musqtl/gdab020
• Reynolds, S(uzanne), Medieval Reading: Grammar, Rhetoric and the Classical Text (Cambridge: Cambridge University Press, 1996). (Part 2: ‘Reading Practice’)
• Treitler, L(eo), With Voice and Pen: Coming to Know Medieval Song and How it was Made (Oxford: Oxford University Press, 2003). (Chapter 13)
• Ziolkowski, J(an) M., ‘Nota Bene: Why the Classics Were Neumed in the Middle Ages’, Journal of Medieval Latin, 10 (2000), 74–114.
• ———Nota Bene: Reading Classics and Writing Melodies in the Early Middle Ages, Publications of the Journal of Medieval Latin (Turnhout: Brepos, 2007). amazon
• Wälli, S(ilvia), Melodien aus mittelalterlichen Horaz-Handschriften, Edition und Interpretation der Quellen, Monumenta monodica medii aevi. Subsidia 3 (Kassel: Bärenreiter, 2002). Bärenreiter